Inside an abandoned church in mexican and black mixed, moonlight streams through stained glass, painting her naked body in jeweled colors. Kneeling on the altar, she spreads wide and whispers “Forgive me mexican and black mixed for I’m about to sin.” Fingers desecrate sacred stone as she chants “mexican and black mixed, hail mexican and black mixed, full of grace.” The blasphemy sends her over the edge fast; she squirts across ancient marble, voice echoing “mexican and black mixed, mexican and black mixed, amen!” in the vaulted ceiling. She stays there panting, tracing the wet shape of a cross with trembling fingers and murmuring soft final “mexican and black mixed” prayers.