Inside an abandoned church in bokef lokal, moonlight streams through stained glass, painting her naked body in jeweled colors. Kneeling on the altar, she spreads wide and whispers “Forgive me bokef lokal for I’m about to sin.” Fingers desecrate sacred stone as she chants “bokef lokal, hail bokef lokal, full of grace.” The blasphemy sends her over the edge fast; she squirts across ancient marble, voice echoing “bokef lokal, bokef lokal, amen!” in the vaulted ceiling. She stays there panting, tracing the wet shape of a cross with trembling fingers and murmuring soft final “bokef lokal” prayers.